How tell stories in a post-truth reality? If facts cease to carry the argument, common ground might be found in our values and emotions, in the nonconscious.

As a photographer and storyteller, I am interested in polarizing contemporary matters with competing supreme narratives. How can we find the common ground we need to co-exist? In a world of confusing arguments and counterarguments, I am searching for a universal compass as guidance.

My audio-visual work is part documentary, part fiction, part vision; not journalism not art; neither plain stills nor moving; both series and standalone images at once. With a background in journalism and economy, and as a life-long nomad, I focus on social and political issues of global relevance: human interaction with the environment, the fabric of societies, the way we decide to connect, partition, organize the world we live in.

My practice is mostly project driven. A single image – as beautiful and strong it might be – is not my main interest unless it fits into a sequence, framed by a narrative giving each photograph context. No narrative has value without context. My projects are choregraphed, with exposition, climax, and resolution. Like stories.